Planning sound
Within many films, whether its rom - coms or horrors, they all include sound which helps set the scene. Such as in thrillers, the main job of sound is to create suspense, shock and surprise. However in all films there are many different types of sound, these ranges from:
In our group narrative, we have tried our best to include as many of the above as possible. We have mainly focused on using off screen sound and non - diegetic, as we hope that these will be more effective if the sound will be more noticeable. We are also including a lot of on screen sound as well as we believe it will make everything alot more realistic. For example we are using diegetic sound when the young girl is listening to music in the kitchen, this will show the audience where the sound is coming from making it seem more realistic giving them something to relate too. Non-digetic sound will be used when you can hear deep breathing from the killer at this point a camera angle called point of view will be used to you can only see the feet of the killer. This makes the non-diegetic sound a lot more tension building as you cant see where the sound is coming from, making the suspense rise and the hidden identity of the killer remain a secret.
We will be using sound techniques such as parallel when Lucy is left in the cabin on her own, we wanted to portray her as vulnerable and innocent, that she is is actually oblivious to the consequences and the situations that are about to happen. They will be able to build a relationship with the characters as they will feel many emotions towards them.
They are conventional to thriller film as they will create suspense tension and shock for the audience and make them feel that they are in the movie themselves, hopefully that is what i achieve in my opening scene.
When searching for sound these are the ones that I felt suited my narrative the most.
http://www.freesound.org/people/samule44/sounds/96023/ (Heavy Breathing)
http://www.freesound.org/people/Ephemeral_Rift/sounds/156114/
I felt that the second link, which is nearly 20 minutes long, suited our narrative the most. I had an eerie feel which helped set the mood.
By Alexander Flanagan
- diegetic sound
- non-diegetic sound
- off screen sound
- on screen sound
- parallell sound
- contraversal sound
In our group narrative, we have tried our best to include as many of the above as possible. We have mainly focused on using off screen sound and non - diegetic, as we hope that these will be more effective if the sound will be more noticeable. We are also including a lot of on screen sound as well as we believe it will make everything alot more realistic. For example we are using diegetic sound when the young girl is listening to music in the kitchen, this will show the audience where the sound is coming from making it seem more realistic giving them something to relate too. Non-digetic sound will be used when you can hear deep breathing from the killer at this point a camera angle called point of view will be used to you can only see the feet of the killer. This makes the non-diegetic sound a lot more tension building as you cant see where the sound is coming from, making the suspense rise and the hidden identity of the killer remain a secret.
We will be using sound techniques such as parallel when Lucy is left in the cabin on her own, we wanted to portray her as vulnerable and innocent, that she is is actually oblivious to the consequences and the situations that are about to happen. They will be able to build a relationship with the characters as they will feel many emotions towards them.
They are conventional to thriller film as they will create suspense tension and shock for the audience and make them feel that they are in the movie themselves, hopefully that is what i achieve in my opening scene.
When searching for sound these are the ones that I felt suited my narrative the most.
http://www.freesound.org/people/samule44/sounds/96023/ (Heavy Breathing)
http://www.freesound.org/people/Ephemeral_Rift/sounds/156114/
I felt that the second link, which is nearly 20 minutes long, suited our narrative the most. I had an eerie feel which helped set the mood.
By Alexander Flanagan